Book Review: Eleanor Oliphant is Completely Fine by Gail Honeyman

Eleanor Oliphant is Completely Fine – Gail Honeyman (Viking, 2017)

Eleanor Oliphant, thirty years old, works in an office, does things exactly how she wants them without worrying what others think. Eleanor Oliphant is perfectly fine on her own, thank you very much, and always has been. She goes to Marks & Spencer every Friday, talks to Mummy on the phone every Wednesday night, and spends her weekends in a fog of vodka. Most other people (the “hoi polloi”) have atrocious manners or uninteresting lives so there’s simply no reason for Eleanor to engage with them more than is absolutely necessary.

Eleanor’s life begins to change though when she ends up at a local concert one night and falls for the musician on stage. Building an elaborate fantasy life, she begins to figure out how she can meet him. After all, as soon as they meet they’ll surely fall in love and live happily ever after. Right?

But Eleanor’s life is also changing due to an inadvertent friendship developing with the IT guy, Raymond. When Eleanor and Raymond help an old man who has fallen in the street, their lives become slowly more intertwined and Eleanor finds herself more and more outside of her usual comfort zone and schedule.

Eleanor Oliphant is Completely Fine draws some obvious comparisons to Graeme Simsion’s The Rosie Project but I found myself more often reminded of Ottessa Moshfegh’s Eileen. There is a much darker tone to Eleanor Oliphant than is found in The Rosie Project. It’s clear early on that Eleanor has a heavy past. We learn of the scar on her face, stories of broken arms and black eyes, and there are the weekly, disconcerting phone calls with Mummy.

More than all that though is the fact that I initially found Eleanor very dislikeable. While not outright creepy the way that Eileen is, she doesn’t have much to endear her to the reader. While Don (of The Rosie Project) is more of a charming idiot savant type, someone who mostly gets along with people but has to work very hard at it and doesn’t really understand why, Eleanor seems to actively judge and look down on others. She has little desire to engage with those around her and clearly seems to think of herself as better than them. As her interactions increase and she goes through some major personal development, this does change and Honeyman does a good job of showing how her life and childhood has affected Eleanor.

Overall, the novel is an easy and entertaining read and certainly offers an interesting perspective into the mind of a vastly unique person. Whether Eleanor is on the Autism spectrum or simply the product of her own past is left up to the reader but it is gratifying to watch Eleanor change and develop over the course of the novel. While, of course, remaining uniquely herself.

Book Review: The Hate U Give by Angie Thomas

The Hate U Give – Angie Thomas (Balzer + Bray, 2017)

While Angie Thomas’ first novel is being marketed as a young adult novel. I would greatly encourage all readers interested in modern America, racial issues, or violence among youth to read it. The book is probably most appropriate for older teen readers (15+) due to violence and some language. It’s a fairly easy read but has a lot of content.

Starr Carter is sixteen years old, lives with her family in the ghetto of Garden Heights. Her dad, a former gang-banger who spent time in prison, has since turned his life around and owns the local grocery store. After witnessing the death of a friend in a drive-by shooting, Starr and her brothers are sent across town to a prestigious, predominantly white school.

Starr is no stranger to violence and drugs but her family life is stable and the Garden is home. She feels pulled between the two worlds she inhabits – her black neighbourhood and her white school – and knows she no longer quite fits into either one. Attending a party one night in the Garden, she’s uncomfortable and out of place and happy to live early with an old friend, Khalil, after a fight breaks out.

Driving home, Khalil is pulled over by a police officer and Starr becomes the only witness when the cop shoots and kills Khalil. If you’ve been watching the news at all in the past two years, you might be familiar with how this story plays out.

We follow Starr over the following weeks as tensions and violence rise in her neighbourhood. As her friends at school make disparaging remarks about Khalil being a drug dealer or a member of a gang. And as Starr struggles with finding her voice and deciding whether to come forward publicly to defend Khalil, or to protect herself first.

While I grew up in a very ethnically diverse neighbourhood, I’m not that familiar with African-American culture so I can’t speak to the accuracy of Thomas’ depiction of the ghetto. Parts of the novel felt like they dipped into the cliche – Starr’s father’s backstory, for example, or even a side story about her family helping a young man escape from the local gang – but I have to defer to Thomas’ knowledge and overall the book felt very authentic. It’s filled with pop culture references and language that is up-to-date and, I think, would appeal to a youthful audience.

Thomas does an excellent job of depicting Starr’s split between her two worlds, using language and dialogue to show how she adapts to her surroundings. Starr realizes the need to be tightly controlled around her white friends at school, that she can never slip or risk being stereotyped as the “ghetto girl” or the “angry black girl”. There is a decent progression of her finding a better balance between these worlds and learning to trust more people on both sides.

Overall, I think this book makes a great introduction for anyone interested in the Black Lives Matters movement. It could offer many starting places for discussion with young readers, or anyone who might want to know more.