What I Read – May 2017

Silence – Shusaku Endo (Picador Classic, 2015)

translated from the Japanese by William Johnston

But Christ did not die for the good and beautiful. It is easy enough to die for the good and beautiful; the hard thing is to die for the miserable and corrupt – this is the realization that came home to me acutely at that time.

(from Silence)

Eleanor Oliphant is Completely FineGail Honeyman (Viking, 2017)

The Collected Stories – Grace Paley (Farrar, Straus and Giroux, 2007)

They walked east and south to neighbourhoods where our city, in fields of garbage and broken brick, stands, desolate, her windows burnt and blind. Here, Faith said, the people suffer and struggle, their children turn round and round in one place, growing first in beauty, then in rage.

(from “The Expensive Moment” by Grace Paley

Holding Still for as Long as Possible – Zoe Whittall (Anansi, 2009)

Spoonbenders – Daryl Gregory (Alfred A. Knopf, 2017)

Trust No One – Paul Cleave (Upstart Press, 2015)

Everything was Good-Bye – Gurjinder Basran (Mother Tongue Publishing, 2010)

Harmless Like You – Rowan Hisayo Buchanan (Sceptre, 2016)

The Red Pony – John Steinbeck (Penguin Classics, 2009)

Currently Reading:

Green Mansions – W.H. Hudson

You Don’t Have to Say You Love Me – Sherman Alexie

Book Review: 2 Short Story Collections

It’s a bit unfair to lump these two story collections in together but I read them almost back to back and, a few weeks later, am struggling to differentiate them in my mind.

A Manual for Cleaning Women – Lucia Berlin (Farrar, Straus, and Giroux, 2015)

A Manual for Cleaning Women and Collected Stories are collections of a life’s worth of short stories by Lucia Berlin and Grace Paley, respectively. Both women are Americans and wrote primarily in the first half of the 20th centuries.While Paley’s stories are set in New York (almost entirely in Brooklyn), Berlin’s roam around the USA, delving into Mexico. They write about the ordinary lives of women, mostly at home, often surrounding their children and their failed relationships. A Canadian comparison might be the stories of Alice Munro, although Munro’s stories end up feeling almost pastoral compared to the crowded apartments of Berlin and Paley.

The Collected Stories – Grace Paley (Farrar, Straus, & Giroux, 2009)

These story collections have two major things in common. The first is that each author leans heavily on their own life experiences. Berlin seems almost to be writing her own autobiography, often naming characters Lucia or delving into stories of her childhood in mining camps and South America. Her characters often have four sons, like Berlin herself did, and are divorced multiple times.

The second characteristic that I found the two collections to have in common was the recurrence of stories. Characters often popped up again and this made both collections have a larger feel, as the reader follows a woman through her life, watches her children grow, her marriage flourish and wilt, her neighbours age and change. It felt like a small challenge to connect the stories together. While they certainly stand as individual tales, the connections definitely add.

Both Berlin and Paley are excellent story tellers and while they’re overall experience of life as women, wives and mothers in the early 20th century doesn’t echo my own in 2017, there are certainly many familiar moments. I would categorize Berlin’s stories as slightly darker – there was one I stopped reading partway through – but I enjoyed each collection and found both of these women an important addition to modern American writing.