What I Read – April 2018


Mysterious Fragrance of the Yellow Mountains – Yasuko Thanh (Hamish Hamilton, 2016)


I went to school with Suko and so was familiar with her unique style and had an idea of where her interests lie. This historical novel set in Vietnam lined up with my expectations and I love her short stories (Her collection Floating Like the Dead is great) but I struggled with this one a bit. It came together in the end for me but took me a while to get oriented.

Funny Once – Antonya Nelson (Bloomsbury, 2014)

These short stories were great but it took me so long to read them that I think a lot of the impact was lost on me. The fault was my own – I borrowed this as an online resource from the library and so read it on my laptop. And reading books electronically just does not work for me. Turns out I’m kind of old-fashioned when it comes to books.

When I was a Child I Read Books – Marilynne Robinson (Picador, 2012)

Overall, I enjoyed this essay collection. I really like Robinson’s writing and I agree with her on a lot of theological and political questions. However, some of these essays felt really American and so I had trouble staying interested. They also felt overly optimistic about America, which made me realize how much the world has changed since 2012.

The great narrative, to which we as Christians are called to be faithful, begins at the beginning of all things and ends at the end of all things, and within the arc of it civilizations blossom and flourish, wither and perish. This would seems a great extravagance, all the beautiful children of earth lying down in a final darkness. But no, there is that wondrous love to assure us that the world is more precious than we can possibly imagine.

  • Marilynne Robinson, “Wondrous Love”

The Assassination of Margaret Thatcher – Hilary Mantel (HarpeCollins Publisher, 2014)

I found myself much more engaged by this collection of short stories. This was my first read by Mantel and although I enjoyed it I still don’t feel the need to read any of her novels. The title story of this collection did force me to do some reading up on Margaret Thatcher though, since I knew shockingly little.

Brother – David Chariandy (McClelland & Stewart, 2017)


Loved this book. Read my full review here.

All around us in the Park were mothers who had journeyed far beyond what they knew, who dreamed of raising children who might have just a little more than they did, children who might reward sacrifice and redeem a past. And there were victories, you must know. Fears were banished by the scents from simmering pots, denigration countered by freshly laundered tablecloth. History beaten back by the provision of clothes and yearly school supplies.

  • David Chariandy, Brother

Black Swan Green – David Mitchell (Alfred A. Knopf Canada, 2006)


I reviewed this one too! Maybe I’m on a roll! Check back on Wednesday for the review.

If you show someone something you’ve written, you give them a sharpened stake, lie down in your coffin, and say, “When you’re ready.”

  • David Mitchell, Black Swan Green

Didn’t Finish:

White Cat – Holly Black

Someone raved about this book to me once and so I’ve long had it on my list and finally got a copy of it. As soon as I picked it up at the library I knew it wasn’t my normal fare. I don’t read a lot fantasy but wanted to give it a fair go. I think I got about halfway through. I can see why a fantasy reader would love it but it’s not for me. (I also, in general, hate book series and that biased me against it further.)

Currently Reading:

The Silmarillion – J.R.R. Tolkien

The Redress of Poetry – Seamus Heaney

[Poetry] becomes another truth to which we can have recourse, before which we can know ourselves in a more fully empowered way.

  • Seamus Heaney, “The Redress of Poetry”


The Boat People – Sharon Bala



What I Read – January 2017


The Sellout – Paul Beatty (Picador, 2015)

Reflections on the Psalms – C.S. Lewis (A Harvest Book, 1958)

A vocation is a terrible thing. To be called out of nature into the supernatural life is at first (or perhaps not quite at first – the wrench of the parting may be felt later) a costly honour. Even to be called from one natural level to another is loss as well as gain. Man has difficulties and sorrows which the other primates escape.

  • C.S. Lewis

I Carried You Home – Alan Gibney (Patrick Crean Editions, 2016)

Beauty Plus Pity – Kevin Chong (Arsenal Pulp Press, 2011)

The Snow Child – Eowyn Ivey (Reagan Arthur/Back Bay Books, 2012)

In the light of day, her dreams were drained of their nightmarish quality, and they seemed whimsical and strange, but the taste of loss remained in her mouth.

  • Eowyn Ivey

When She Was ElectricAndrea MacPherson (Polestar, 2003)

Perfect Little World – Kevin Wilson (Harper Collins, 2017)

Let one person tell her she couldn’t have it and she would claw them into submission. Let one more person tell her what she could and could not have, and she would smile, nod, and, without apology, do whatever the hell she wanted.

  • Kevin Wilson

Such is My Beloved – Morley Callaghan (McClelland & Stewart, 1994)

Even a dream of social betterment usually is a bitter disappointment. We’ve got to accept the disappointment and go on. All of us must be terribly disappointing to God. By any standard of justice God might have abandoned us all long ago and left us to shift for ourselves as those girls are shifting now wherever they are, whatever they are doing.

  • Morley Callaghan

Fates & Furies – Lauren Groff (Riverhead Books, 2015)

Currently Reading:

Simply Christian – N.T. Wright

Birdie – Tracey Lindberg

Book Review: The Sellout by Paul Beatty (Picador, 2015)

The Sellout - Paul Beatty (Picador, 2015)

The Sellout – Paul Beatty (Picador, 2015)

I wasn’t familiar with Paul Beatty’s work before this past year when he became the first American to win the Man Booker Prize. Once I heard a little more about his style, I was eager to read The Sellout and it happily did not disappoint. The Sellout is satirical, uncomfortable, entertaining, eye-opening, and sometimes confusing. I want to say it’s timely, given the recent and ongoing racial tensions in the USA, but unfortunately those tensions are not exactly new. As Beatty demonstrates.

Our narrator, known by his neighbourhood nickname of Bonbon, of called The Sellout by others, or his last name Me (as in Me vs. The United States of America) is a lifelong resident of Dickens, an agrarian ghetto of Los Angeles with a largely minority population. So crime-ridden an embarrassment is Dickens that the powers that be decide to literally remove it from the map and pretend it no longer exists. In his efforts to bring Dickens back, our narrator gets his own slave and decides to reintroduce segregation. This has both its supporters and detractors.

The Sellout is deeply rooted in a particular black community and culture and is full of references to such. Some I’m familiar with and many were new to me. As I read, I found myself feeling very far from the target audience, as if Beatty’s narrator was speaking to a black reader and I happened to be listening in. And maybe that’s part of the point. This book isn’t for me and it doesn’t need to be. Which isn’t to say that I couldn’t enjoy it or even that I shouldn’t read it. It’s important to read literature that is entirely outside of our personal experience.

Beatty’s is one view and he offers this glimpse through both satire and truth so ridiculous it feels like it should be satire. The characters are larger than life, both hilarious and tragic. Beatty uses the n-word a lot, something I definitely found jarring though believable and effective within the context of Dickens and its residents. The last book I read that used the n-word frequently was William Faulkner’s Requiem for a Nun and although Beatty uses the word more frequently his usage felt more honest and less hateful.

The Sellout is the perfect first American pick for the Man Booker prize as a book that shines an uncomfortable but necessary spotlight on one of the major issues in North America right now.

What I Read – June 2015

Requiem for a Nun – William Faulkner (Penguin, 1961)

Aside from As I Lay Dying, I haven’t read much Faulkner so I can’t say whether or not this book is typical of his style. The format is definitely unique. The action of the story is a play, centred around the death of a child and a murder trial. But each act begins with a long narrative sequence about the history of this fictional location: Jefferson, Mississippi. We learn the history of this place and how it became a town, revolving around the building of the courthouse and jail. Faulkner’s talent shows here in long, winding sentences and excellent use of repetition. He’s given to some grandiose verbiage. Reading some of it aloud, there was a strong rhythm (Pearl seemed to enjoy it) and the repeated phrases add a lot of power to Faulkner’s message. I have no idea how those sections would work in an actual play though.

After finishing the book I learned that it’s a sequel, of sorts, to Faulkner’s Sanctuary. Until close to the end I felt a little lost as to what was going on but it is sufficiently explained without having to have read Sanctuary.

The long narrative sections serve to point the reader’s attention to a broader theme. The fact that Faulkner is telling a bigger story than Temple’s or Nancy’s. My pocketbook from the sixties touted Faulkner as a great voice for African-Americans in the South, which seems strange to me since he was definitely white, but he does offer a detailed look at history and race in the South. And be warned, the book doesn’t shy away from use of the n-word.

The Other Side of the Bridge – Mary Lawson (Alfred A. Knopf, 2006)

Last year I read and enjoyed Lawson’s novel Crow Lake and reading  The Other Side of the Bridge didn’t disappoint. Set again in a small town in the Canadian Shield, the two novels share some themes. Youthful desire for something bigger, sibling tensions, a story told over years. The book alternates between Arthur’s youth (farm boy molded by the Second World War) and Ian’s (1950s, doctor’s son who wants most of all to live in Toronto). I found both stories equally fascinating, something rare in many books.

My one gripe might be that there was so much death. Obviously, any book dealing with a world war is going to have a lot of death and I thought Lawson did a fine job of expressing the devastation that small towns so often experienced as they lost so many of their young men to war. My problem was that there seemed to be so many other deaths, not related to war and so, by the time we reached the final, climactic death, it didn’t feel as powerful to me. All in all though, an excellent read.

King – John Berger (Pantheon Books, 1999)

I think John Berger is one of those authors people either love or hate. I was first introduced to Berger in a university writing course when we were assigned to read To The Wedding. I adored it and remember telling a classmate so. His response was to hiss at me, using his fingers to make the sign of the cross. So no, Berger’s not for everyone.

King is a strange novel. It seems to be set in a slightly altered version of the real world. Our narrator is a dog. Or maybe a person who is treated like a dog. Or maybe a dog who can talk.  It’s a novel about homelessness, disenfranchisement, friendship, love, value. It’s mostly very sad.

Where the novel doesn’t work is in the number of characters. There are too many. The other option would be for the novel to be much longer (it’s quite short) so that more time could be devoted to helping us care about each one of these people. As it is, the climax centres around characters we hardly know. Though, considering the novel is about the homeless, maybe that’s Berger’s point.

The Book of Someday – Dianne Dixon (Sourcebooks Landmark, 2013)

This is a terrible book. I picked it up second hand because tucked in the front page was a note from one friend to another saying how enjoyable it was. My mistake for trusting that, I suppose.

The story alternates between three women – Livvi, Micah, and AnnaLee. Livvi and Micah’s stories are set in the modern day while AnnaLee’s is set in the 1980s. There is a mystery that connects these three women and any astute reader will be able to figure it out approximately halfway through. The idea of the novel is interesting enough that I did finish it all the way through (plus it’s not a hard read) but it’s just so poorly written. I almost feel bad saying that but I also feel bad about spending my time reading this terrible book.

The characters are poorly developed – there’s really very little that makes each woman unique, aside from the superficial (and even there they all happen to be stunningly beautiful with gorgeous hair). Livvi, who is the main character, is a spineless victim. I think we’re supposed to sympathize with her because she had a sad childhood (though this is not well fleshed out at all) but she’s such a cardboard character who only responds to what’s being done to her. Part of her “character development” (that term feels generous for this novel) is her love for a little girl but the way she gloms onto someone else’s kid after meeting her only once seemed really inappropriate.

The real issue though is simply poor writing. Dixon tries for drama with awkward sentences. Sentence breaks. They can create pause. And drama. They make the reader stop. And think. But when you do it? All the time? It loses its power. And it’s annoying.

Dialogue is rough too. Real people don’t just murmur profound thoughts all the time. Doesn’t happen.

Life Among Giants by Bill Roorbach (Algonquin Books, 2012)

This was a quirky, fairly fun read. A bit of a mystery, a strange sort of romance. It has Ponzi schemes, contract killings, rock stars and ballet. Mix in some cooking and football and you have an eclectic story. It was an easy read and kept me interested until the end. The characters were so over the top as to seem more like caricatures or cartoons than people you might meet in real life but the book doesn’t take itself too seriously and instead seems to be telling a story from some sort of alternate reality.

The Road Back by Erich Maria Remarque (Fawcett Columbine, 1958)

translated from German by A.W. Wheen

But for peace? Are we suitable? Are we fit now for anything but soldiering?

I initially intended to read The Road Back after a re-read of All Quiet on the Western Front. This book is a sequel to that more famous one and follows Ernst and his troop as they return to Germany after the end of World War One. Turns out I don’t actually own All Quiet and, in the end, I didn’t need to re-read it to follow along. Like All Quiet on the Western Front, this is a hard read. It’s bleak and heavy and brutally honest. (Remarque was drafted into the German army during the First World War so it’s easy to believe he speaks from his own harsh experience.) And like its precursor, this book doesn’t shy away from showing the brutalities of war and the horrific ways it affects people. Ernst and his friends were young men, taken out of school so that they could fight someone else’s war. They are still young men when they return to a beaten and demoralized (and largely impoverished) Germany but they have been made old in a way that no one around them understands.

There’s a particularly poignant scene (in a book full of powerful scenes) where Ernst, who has only just returned home and seen his family again, leaves the house in search for the other men in his troop. Although these men are vastly different (and these differences only become stronger when they are taken away from their wartime setting), they are the only people that Ernst can talk to or spend time with now.

Like All Quiet on the Western Front, this is a sad but important book. Given how a major theme of the story is the impossibility of others being able to understand these young soldiers, the novel feels like Remarque’s attempt at shouting into a void, hoping someone might hear him. The least we can do is listen.

The Brooklyn Follies – Paul Auster (Picador, 2009)

I’ve read one Auster book previously and reading this one made it clear that I started with the wrong novel. I read Travels in the Scriptorium about two years ago and by the time I finished it, I realized it was a book meant for Auster’s fans, filled with references to his other works. The Brooklyn Follies was much more accessible to a first-time reader. There isn’t much plot – it’s more like a collection of stories of events that happen and are all related. But as you learn about our narrator’s own writings and goals this makes sense and fits in as something Nathan Glass would have written. The stories are interesting and the book is easy to read. I did find the ending unsatisfying – Auster concludes the story well but then feels the need to tack on something unrelated and, frankly, rather emotionally manipulative. If the book had ended a chapter or two earlier, I think it would have been much better.

The Effects of Light – Miranda Beverly-Whittemore (Warner Books, 2005)

While not an amazingly well-written book, this novel wasn’t terrible and it was a fairly engaging read. I’ll admit that I skimmed over many of the book’s multiple paragraphs that read like lectures on art and philosophy, masquerading as character dialogue. They made the characters seem a little too impressed with themselves (we’re told over and over again how smart everyone is). It read like the author had a lot of thoughts on these subjects and wanted to expound upon them when she would have been better putting them in a separate essay or thesis paper.

My main problem with this novel is a moral one. The central issue of the story involves two sisters and a family friend who takes their photograph. Starting when the girls are toddlers and continuing into their teen years, this photographer becomes famous capturing images of our main character, Myla, and her younger sister. The issue? The girls are naked in many of these photos, which are then displayed in galleries and sold.

The novel and its main characters really want to convince you that this is art and that preventing these photos from being seen would be censorship. Myla – who is an adult when we meet her – is so adamant that the photos are beautiful that she becomes insanely angry at anyone who might suggest otherwise. It seems highly unrealistic to me that, as an adult, her opinion of these childhood experiences wouldn’t be slightly more complex.

I actually felt very bothered reading this book and when I got to the end and realized I was supposed to feel glad that the pictures existed, I was upset. I can agree that photos of naked children are not necessarily child pornography. (The book stresses that there is nothing sexual about the photos or in the photographer’s desire to take them.) The characters talk continuously of how they capture the children’s innocence. This is the defense of their father, who has allowed these photos to be taken, displayed and sold. Yes, childhood nudity is innocent. Likely all of us have pictures of ourselves as babies and toddlers in the bathtub. I have them of my daughter. But here’s the thing – you will never see those photos on this blog. You will never see them displayed in a public space. And if you ever do, it will be because my daughter is an adult and has made that decision for herself. Childhood nudity is innocent but not all who look at it are innocent. That’s a horrible truth of our world.

The novel tells us over and over again that the girls like the photos, that it’s their choice to be in them and that the adults around them respect that choice. My problem here is that these are children. Children who don’t have the knowledge of the world to understand that there may be people looking at their pictures with sick minds and twisted motives. You don’t leave decisions like this up to children. Ultimately, one of the sisters is murdered. Because she appears in these photographs. And yet, the author still seems to want us to agree that these pictures are a good thing.

I may be getting too worked up about fiction (though really I think that’s a compliment to Beverley-Whittemore) but I think there are some real life issues at play here and I think it’s dangerous for a novel to present child exploitation as art and pretend that it’s okay.

Currently Reading:

Confessions of St. Augustine

“Up, Lord, and do; stir us up, and recall us; kindle and draw us; inflame, grow sweet unto us; let us now love, let us run.”

Ten Thousand Lovers – Edeet Ravel

Check back tomorrow to see what Pearl and I have been reading!